CHAPTER 1 Introduction to yoga
A short overview of the history of yoga
Introduction
When we try to describe and define yoga, we must bear in mind that yoga was developed in ancient India, in a time and a culture completely different from that of our present western world. The word “yoga” belongs to the old Indian Sanskrit language. A Sanskrit dictionary lists three pages of meanings for this term (Gode & Karve 1979). Among these interpretations, union, control, and mastery are particularly relevant (Fuchs 1990).
The Upani
ads
The first texts on yoga are contained in the Upani
ads. “Upa” means close to something or somebody, “ni” means down, and “
ad” is to sit. Indeed, these texts indicate the importance of sitting close to a teacher, and of listening attentively; they emphasize the relationship between teacher and student (Bäumer 1986).
Until now the Ka
ha-Upani
ad has been considered to be the first textbook on yoga. Most authors date it to the fifth century bc, although it could be a few centuries older than that. The unknown author of this text describes yoga as inner stability and balance, both of which depend upon constant concentration (Feuerstein 2001). The highest level is reached when the five senses of perception, the thoughts, and the mind are all calm. Mastering the senses in this way and being free from distraction is yoga (Bäumer 1986).
A first description of yoga practice can be found in the Śvetāśvatara-Upani
ad, which is usually dated to the fourth or third century bc, but also could be older. Śvetāśvatara may be the name of the author. In the second part of the text precise instructions can be found on sitting posture and breathing. The trunk, neck, and head should be held straight, and the sensory organs and the mind are focused on the heart. If the fluctuations of the mind are calmed, and the breath is controlled, the breath through the nose should be refined. Eight further Yoga Upani
ads were written, probably after this, that are quite poetic – the Yoga Upani
ads of the Atharva-Veda. These describe a yoga path consisting of six stages, similar to the path described in the Yoga-Sūtras of Patañjali (Michel & Deussen 2006).
The Yoga-Sūtras of Patañjali
The main pillars of the yoga path are abhyāsa and vairāgya. Abhyāsa is learning through disciplined, dedicated practice. Vairāgya is avoiding whatever is distracting from the path of learning. The core concept is the calming of the fluctuations of consciousness: “yogaś-citta-v
tti-nirodha
” (Feuerstein 1989, p. 26). “Yogaś” is the “integration from the outermost layer to the innermost self, that is, from the skin to the muscles, bones, nerves, mind, intellect, will, consciousness and self” (Iyengar 2002a, p. 49). “Citta” means consciousness, “v
tti” fluctuations, and “nirodha
” is gradual calming, becoming free from distractions.
Between the first and seventh century ad Thirumoolar wrote a yoga text, Thirumandiram, in the south Indian Tamil language. There are some hints that Thirumoolar was a contemporary of Patañjali, and that both had the same teacher. The Yoga-Sūtras were originally written in Sanskrit, unlike the Thirumandiram, which was in Tamil, and it was not until 1993 that this latter text was translated into English for the first time by Govindan (Thirumoolar & Govindan 1993). It may be because the text was only in the Tamil language that many experts have been unaware that both texts share a common content.
Stay updated, free articles. Join our Telegram channel
Full access? Get Clinical Tree
hitās. The sa
hitās are collections of texts of the Veda, that is, the holy knowledge. There are four collections: (1) the
g-Veda, written in the 12th century
ads, some of which were contained in the Vedas, while some were written after the Vedas. Initially the Upani
ads were only spoken and learned by heart and passed on by word of mouth from generation to generation. Eventually they were written down. In many cases the precise period is unknown and different authors and scientists give contradictory dates.
ads were written in the first millennium
ads contain descriptions of old magic rituals, mythical stories, profound philosophical thoughts, prayers, and songs. In particular the later Upani
ads from the seventh century
āyāma, pratyāhāra, dhāra
ā, dhyāna, and samādhi. Yama refers to the ethical, social aspects of not harming anyone, being honest, not stealing, controlling your wishes and desires, being free from envy and attachment. Niyama consists of five aspects of purifying oneself: cleanliness, contentedness, fervor for study and practice, personal immersion into the profundity of the yoga texts, and surrender to the divine source. Āsana is a firm, calm sitting posture, not being distracted. The body, mind, and soul are involved in positioning. The various āsanas that are used now and their therapeutic aspects were developed later. Prā
āyāma is expanding the breath to control the life energy. Inhalation and exhalation are carefully elongated and refined. In the pauses between inhalation and exhalation, and exhalation and inhalation, inner stillness can be experienced. Pratyāhāra is the result of practicing the previous four stages. It is calming the senses and therefore the wandering mind, too. It is preparing for the remaining three stages. Once the senses are no longer distracted, dhāra
ā will be possible. This is concentration free of tension in all areas of the body. From the correct practice of dhāra
ā dhyāna, meditation, develops. Emotional calmness is added to the relaxed state of the body, while the mind remains fully aware and alert. The final, highest stage of this path is samādhi.